In Celtic folklore, faeries would often sneak their children into human households by disguising them as infants. They would steal the baby from the crib and slip their own offspring in its place. The deceiving faerie baby is known as a Changeling. Imagine the horror of those parents. They create …

As a child, I had no idea that movies had creators. I grasped the idea of books and stories being the work of an author, and I could imagine them typing away at a typewriter the way my mom or dad would sit and type for their day jobs, or …

The horror genre has a fascination with teens. Whether werewolf, ghost, masked killer or clown, the threat always comes for teenagers first if it can. I believe the teen is most often burned on horror’s bier because of their uncertainty. They are children in many ways, but on the cusp …

With Stranger Things, Tigers Are Not Afraid, (read our reviews here and here) and It (read our reviews here and here), people are rediscovering the terrifying magic of being a child. More than being vulnerable, the willingness in children to believe in the fantastical creates a grounded atmosphere for nightmares to …

Presented as part of the Home Invasion Block of shorts at Brooklyn Horror Film Festival 2019, Meredith Alloway’s short film, Deep Tissue, is an opulent, charged film about the exploration of sensation and the power of human touch. We open on Liv (Alloway: Mutt 2017) in a motel room, in …

One of the most propulsive horror trends of modern years has been the resurgence of the Creepy Cult. Perhaps I paint with too broad a brush, but a cult, to me, is any group of people united in a single ideology that subverts commonly held morals. Jordan Peele’s Get Out …

You don’t need to believe in the paranormal to feel haunted. Ghosts, by and large, represent the restless, buried things in life, be they personal secrets like the spectral women of Crimson Peak, warning the new young bride lest she suffer the same fate, or larger, societal sins like the …

The tagline for Tobe Hooper’s classic horror film, The Texas Chainsaw Massacre asks “Who Will Survive, and What Will Be Left of Them?” While the marketers behind the line literally refer to the chainsaw mutilations and slaughterhouse gore of Leatherface’s exploits, they inadvertently got to the central question of all …

There’s something about synth music… the low, humming electronic tones immediately rocket the listener into the future. Not only the future, but the dreams of people living in the future. The music feels otherworldly, powering the films of John Carpenter, the music of Kielen King, and now the new 50-minute …

There’s a strong aesthetic connection between horror movies and musicals. Both genres balance the demands of storytelling with the expectations of a certain kind of spectacle. Also, they can only achieve some degree of success by honoring either story or exhibition, rather than both. A good horror movie can have …