Tag Archives: Cinepocalypse 2019

Sara Summa’s ‘The Last To See Them’ (2019): Cinepocalypse Movie Review

Horror is, first and foremost, a genre defined by its agenda. Whether the impression of horror manifests as fear, dread, revulsion, or unease, the project has to do its job. More often than not, these duties are performed by the ever-evolving bouquet of blood and gore special effects. We see …

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Cinepocalypse 2019 Interview: Joe Bob Briggs

Not only is Joe Bob Briggs an incredible horror icon, he has single handedly brought the horror community together with his return as horror host on The Last Drive-In with Joe Bob Briggs, available exclusively on Shudder. I knew I’d be interviewing him for Cinepocalypse 2019, and I’ve done my …

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Cinepocalypse 2019: Unleashing the Feeding Frenzy of ‘Achoura’ (2018)

Achoura (2018) is making its appearance this weekend during the 2019 Cinepocalypse Genre Film Fest. Talal Selhami (Creature Designers – The Frankenstein Complex 2015, Mirages 2010, Sinistra 2006) directed this French Moroccan horror fantasy movie which he co-wrote with Frère II Sang’s Jawad Lahlou and David Villemin. The film was produced …

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Cinepocalypse 2019 Review: A Talented Cast Full Of ‘Villains’ (2019)

Ever since Burn Notice and the second season of Fargo, I’ve been waiting for Jeffrey Donovan to get weird. He handled the running/jumping/falling down duties of the show admirably, but the true joy was watching him play the Identity of the Week, which was always some kind of South Florida …

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Cinepocalypse 2019: Curtis Matzke’s ‘The Orchestra’ – Short Film Review

From Director Curtis Matzke (Splinter 2018) comes the horror short, The Orchestra, which is being screened at the 2019 Cinepocalypse Genre Film Festival. The film follows a young woman who walks into a theater to find more than she bargained for. So let’s dive into the review! Synopsis: While practicing her …

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Cinepocalypse 2019: ‘The Only Thing I Love More Than You Is Ranch Dressing’ (2018) Short Film Review

I’m a sucker for long film titles. It might be a cheap trick to get my eyeballs on a movie, but a long title like The Strange Color of Your Body’s Tears (2013) or Your Vice Is A Locked Room and Only I Have the Key (1972) just sucks me …

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