UNDERTONE (2026) is one of the more interesting horror films to come along in recent years, largely because it leans into a concept that feels both simple and fresh. Rather than relying on elaborate visuals or constant jump scares, the film builds its dread almost entirely through sound. It’s a …
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Admittedly, Threshold has an interesting technical concept as a horror/thriller combined with a road trip mumblecore/indie drama, improvised by the two leads and shot on two iPhones. It’s always impressive to see such moxie and go-get-’em spirit in filmmakers—to take the low-fi, low-budget route with high concepts for the time …
Read More »Shot On Video (SOV) genre entries have honestly been hit or miss with me. I have often found SOV hard to follow, with the sound being so abysmal that I can’t decipher the dialogue, or too grainy of a picture, and so on. But there have also been some SOV …
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