wadewainio

Wade is a wannabe artist and musician (operating under the moniker Grandpa Helicopter), and an occasional radio DJ for WMTU 91.9 FM Houghton. He is an occasional writer for Undead Walking, and also makes up various blogs of his own. He even has a few books in the works. Then again, doesn't everyone?

Interview: Lionsgate’s ‘DO NOT ENTER’ (2026) Director Marc Klasfeld

The upcoming horror-adventure film Do Not Enter arrives March 20, 2026, in theaters, on digital, and on demand. Directed by Marc Klasfeld, the film is based on the novel Creepers by David Morrell and follows a group of thrill-seeking urban explorers who livestream their descent into New Jersey’s abandoned Paragon …

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Interview: Artist Skinner and Director Allen Cordell Discuss ‘ART SHOW! WITH CAPTAIN SKINNER’

PopHorror sat down with artist Skinner (check out his art here) and director Allen Cordell to talk about their bizarre, hilarious, and strangely heartfelt art show, Art Show! With Captain Skinner. What starts as a love letter to PBS and Bob Ross quickly spirals into psychedelic nightmares, cosmic imps, Adult …

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‘THE SILENCE OF THE LAMBS’ (1991): A Study in Power, Fear, and Control

The Silence of the Lambs is a 1991 psychological thriller directed by Jonathan Demme and based on Thomas Harris’s 1988 novel. On the surface, it’s a serial killer story. But what makes it iconic is not just the hunt for a murderer. It’s the unsettling psychological duel at the center …

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Interview: Kyle Kauwika Harris Discusses ‘THE HUNTSMAN’

With The Huntsman, filmmaker Kyle Kauwika Harris brings Judith Sanders’ novel to the screen as a quiet, morally complex thriller rooted in ambiguity and character. Pop Horror spoke with Harris about discovering the project, reshaping it for Oklahoma, avoiding gratuitous violence, and the improvisational moments that made it into the …

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Leslie Nielsen (1926 – 2010): The Serious Actor Who Changed Movie Comedy

Leslie Nielsen was a Canadian actor who redefined screen comedy by doing the opposite of what most comedians do. He didn’t mug for the camera. He didn’t signal the punchline. He played every absurd moment as if it mattered deeply. Film critic Roger Ebert once called him “the Olivier of …

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